Faceless

Faceless

Poetry

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About the book

To be anonymous in today’s urban places is to be free yet isolated, in a constant flux of longing for and fear of “the dead and beating heart.” The faces Gunn confronts on the streets of the city make her book a compelling read—as does the “delicious anxiety” she sees hanging in ecstatic, sometimes terrifying suspense in the liminal spaces between.

About the author

Gunn, Genni

Genni Gunn is an author, musician and translator. Born in Trieste, she came to Canada as a child. She has published twelve books: three novels -- Solitaria (longlisted for the Giller Prize 2011), Tracing Iris (made into a film, The Riverbank), and Thrice Upon a Time (finalist for the Commonwealth Writers' Prize); three short story collections -- Permanent Tourists, Hungers and On the Road; three poetry collections -- Faceless, Mating in Captivity (finalist for the Gerald Lampert Award), and Accidents; and a collection of personal essays, TRACKS: Journeys in Time and Place. As well, she has translated from Italian three collections of poems by two renowned Italian authors: Devour Me Too (finalist for the John Glassco Translation Prize) and Traveling in the Gait of a Fox (finalist for the Premio Internazionale Diego Valeri for Literary Translation) by Dacia Maraini, and Text Me by Corrado Calabrò. Two of Gunn’s books have been translated into Italian and Dutch.

As well as books, she has written an opera libretto, Alternate Visions, produced by Chants Libres in 2007 (music by John Oliver), and projected in a simulcast at The Western Front in Vancouver; her poem, "Hot Summer Nights" has been turned into classical vocal music by John Oliver, and performed internationally. Before she turned to writing full-time, Gunn toured Canada extensively with a variety of bands (bass guitar, piano and vocals). Since then, she has performed at hundreds of readings and writers’ festivals. Gunn has a B.F.A. and an M.F.A. from the University of British Columbia. She lives in Vancouver.

Excerpt

Like Ruins

Three weeks they prod calibrate x-ray
bones muscles gauge seismic signatures

delicate and black like ruins
rows of stones radiating from a cairn

When I hear the word I imagine The Tropic
of Cancer your body stretched around

the earth your body the earth Mexico
Egypt India Saudi Arabia China

the sun in June directly overhead
You are cut-away in profile an exotic terrain

faults a sediment of sentiments layers
of lovers the youngest lying between

rivers in the high plateau of the Italian Murge
the oldest leaning against Vancouver sky

You are landscape a place to point to YOU ARE
HERE like the red dot on a mall schematic

boxed in by lines and squares the earth suddenly flat
a constellation a crab in the northern hemisphere

clawing the night sky YOU ARE HERE an X
ray irradiating fear

you push us away take solace in your solo dance
your breast a thermal aureole a tropic

of cancer while we arc low in the sky
Druids used stones surgeons a knife

rituals to spur the sun to burn
stave off light

 

FACELESS

1.

In crowds strangers jostle against her
arms and legs In lineups people elbow

in front of her In bars men stare
past her She spends a quarter of her pay

on cosmetics – eye shadows liners blushes
foundations glows – the rainbow captive

in small compacts And still she is

5.

A quarrel rising counterpoint the girls shrill
demand to the mother's martyred sobs

bickers pleas pouts banal exchanges all shout
ultimtums the girls slam into the night

thirteen fifteen their bodies high-risk machines
the mother calls but they don't veer

the dog barks twice then settles on the rug
the woman slumps in front of her TV

today she lost her job her husband gone
and now her girls she reaches in her purse

draws out the vial of pills she'll sleep tonight
no matter what she'll sleep and show them all

6.

Her dog is a loyal creature He ogles her
through one slit eye

Dogs are heroic They dive underwater
off 80-foot cliffs to save people from drowning

they climb mountains and dig for avalanche victims
one dog waited twelve years for his master

in the lobby of a hospital where he had last seen him
This woman's dog at first is not perturbed by her

lying on the couch accustomed to her sluggish ruts
Reality TV but as the hours lapse

and the woman doesn't stir he licks her hand and face
still no response he licks and licks her mouth and nose

his paws now claw her chin he panics nips at her lifeless lips
she finally hears the whine struggles a resurrection

He saved her life her daughters say
this dog who mauled their mother's face

 

SINGLE

3. Animations

Not so different from what happens
in the middle years you fall in love again

stupidly like the first time only you're afraid
to let yourself be drawn in frame by frame

remembering your past imperfect tracings
of a lover's pencil how his animation

created static movements your hair
a spider's web your mouth a Venus flytrap

and he always the fly and when you said
I love you he sketched a hand in farewell

perhaps it's better left to computer morphing
less margin for error just key in first meeting

and render the final kiss embrace
the random graphics in between

From Genni Gunn

Reviews

In the poems in Faceless, Genni Gunn explores the many masks worn and peeled away in attempts at formulating identity, influencing opinion and finding a place in vast, nullifying or unforgiving landscapes. Sometimes it is nature masking itself as benign,… >>

Event

When I first open Faceless, I am grateful for the familiar, a poet engaging with the world, a specifically Canadian world, celebrating place and our relationships with it. The first section, wEstSCAPES, explores both the physical and the personal along… >>

— J.M Bridgeman Prairie Fire


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